After the babbling of a flock of children in Loubia Hamra (FID2013), after the multilingualism (including a reversed language) of the various troops which appear restless in Le Fort des Fous (FIDLab 2014), all of a sudden Narimane Mari confronts us with early silent cinema. Almost silent actually as the sole male protagonist is moved at the end of his own monotonous chant, a do...
暗室内的激情,旷野上的奔跑
群像戏特别精彩,每个配角都立体鲜活。
虽然有小瑕疵,但整体诚意满满值得支持。
这就是我心目中最完美的夏日消暑神作。
编剧脑洞大开,设定既新奇又合情合理。
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